Bouguereau made more than seven hundred finished works.
Måleriet identifieringen:: 10809
Födseln av Venus 9~ 10 x 7~ 1 3/4 ( 300 x 218 cm ). Salongen av 1879. Bouguereau made more than seven hundred finished works.
Måleriet identifieringen:: 26646
Födseln av Venus mk53 1740 olja på segelduk 130x162cm.Stockholm.The Nationell Museum av Böter Konst French Rococo Era Painter, 1703-1770
Måleriet identifieringen:: 26687
Födseln av Venus mk53 c.1770 gouache på vellum spännet över laminera bräde 65.7x50.6cm French Miniaturist, ca.1705-1790
Måleriet identifieringen:: 26953
Födseln av Venus 1484-1485 detalj av Venus~face Florence.Galleria degli Uffizi (mk57) Italian Early Renaissance Painter, 1445-1510
Måleriet identifieringen:: 26956
Födseln av Venus 1484-- 1485 detalj om Timme holdingen ute till Venus en blomma röd mantle.Florence.Galleria degli Uffizi (mk57) Italian Early Renaissance Painter, 1445-1510
Måleriet identifieringen:: 26961
Födseln av Venus 1484-- 1485 detalj om vinden zephyrus och Aura.Florence.Galleria degli Uffizi (mk57) Italian Early Renaissance Painter, 1445-1510
Måleriet identifieringen:: 33393
Den Födseln av Venus mk86 c.1485 Temperamenten på segelduk 172.5x278.5cm Florence.Galleria degli Uffizi Italian Early Renaissance Painter, 1445-1510
Måleriet identifieringen:: 42009
Den Födseln av Venus mk166 Between1484 och 1486 Råd omen trä 180x280cm Uffizi. Florens Italian Early Renaissance Painter, 1445-1510
Måleriet identifieringen:: 56382
the birth of venus mk247
c.1905,oil on canvs,21.25x28.75 in,54x73 cm,private collection French Symbolist Painter, 1840-1916
Måleriet identifieringen:: 56805
The Birth of Venus mk250 about the year 1482. Cloth color eggs. About 172.7 x 276.9 cm. Uffizi in Florence. Italian Early Renaissance Painter, 1445-1510
(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire
Måleriet identifieringen:: 72728
The Birth of Venus 1874(1874)
Oil on canvas
cjr (27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire
Henri-Pierre Picou (27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire The Birth of Venus
